Demystifying Music Composition Through Practical Exercises and Techniques for the Modern Composer and Songwriter

 

Demystifying Music Composition Through Practical Exercises and Techniques for the Modern Composer and Songwriter

 

What Will I Learn?
  • Write and Compose music using proven techniques and tips
  • Create their own music using software, or good old pencil and paper.
  • Generate musical ideas through creativity exercises

 

Requirements
  • Before starting this course, students should know the basics of how to read music
  • Extensive music theory training is not necessary for this course.
  • For those without any music notation background at all, the course Music Theory Comprehensive – Part 1 is highly recommended.

 

Description

When most people think of a composer, they imagine someone sitting in a dusty attic with a grand piano, big white wig, and the year is 1800. That might have been accurate back then, but the modern composer is just like you and me. In fact, I am one.

In this course I’ll show you techniques I use for writing music in a variety of styles and situations. I’ve worked with major American orchestras, film studios, and video game designers, so I’ve got more than a little experience. I’m also a PhD in music composition and a university professor (of music composition).

Recently I was named as a semi-finalist for the Grammy Foundation’s Music Educator of the Year award because of my in-person university classes. Now I’m taking those classes to Udemy in an online format in order to reach more students, and give them the joy of Music Theory.

This is a combined class that includes both sections of my Music Composition class, and both sections of my Film Scoring class. As the class grows, we will go deeper and deeper into my techniques. This class starts at the beginning: Generating ideas and getting started. 

In the Music Composition portion of this class, we will cover:

  • My background, and listen to some of my music
  • The different between music theory and music composition (highly opinionated!)
  • Tools of the trade: Software
  • Tools of the trade: Pencils and fine paper
  • How do you start?
  • The process
  • Program music and metaphors
  • Character sketches
  • Writing through canon
  • Form
  • Binary, Ternary, and Rondo forms
  • Starting with a plan
  • Graphic form representations
  • Triads, and basic rules of harmony
  • Chord progressions
  • Inversions
  • Song analysis
  • Melody writing
  • Why Tension and Release?
  • Tools of the trade: Software
  • Tools of the trade: Pencils and fine paper
  • Long Term and Short Term Tensions
  • Using Form for Tension and Release
  • Forms that Create Drama
  • Sonata Form
  • The 4 Elements of Form
  • Example: Mozart, Moonlight Sonata
  • Composing with Sonata Form
  • Modern Uses of Sonata Form
  • Example: Muse, Butterflies and Hurricans
  • Tension and Release with Meter
  • Compound Meters
  • Meter Signatures
  • Alternating Compound and Duple Meters
  • Using Rhythm for Altering Expectations
  • Rhythmic Patterns
  • Pattern Obfuscation
  • Example: Philip Glass, Truman Show Soundtrack
  • Example: Allen, Aporia
  • Using Harmony for Tension and Release
  • Consonance and Dissonance
  • Prolonging Dominant
  • Emphasized Resolution
  • Pedal Tones
  • Moving “Pedal Tones”
  • Example: Aphex Twin, Ventolin
  • Combining Multiple Techniques
  • Example: Mozart, Sonata in C
  • Example: Allen, Angel of Repose
  • Film Music and Tension Cues
  • Composing for Films
  • Any much, much, more!

In the Film Scoring portion of this class, we will cover:

  • Tools of the trade
  • Finding the emotional response
  • Music Theory and Genre
  • Using Modes in Film Scores
  • Finding the Message
  • Learning from Temp Cues
  • “Spotting” the film
  • Working with industry budgets
  • Diegetic music and nondiegetic music
  • Score and Source
  • The Ostinato
  • Working with silent films
  • Setting up a session
  • Marking hits
  • Scoring the opening credits
  • Motive and Lietmotif
  • Working with Lietmotifs
  • Working with rhythm in cues
  • POV
  • Finding and analyzing POV scenes
  • Composing using POV
  • Creating atmosphere
  • Using “Pad” sounds with orchestra
  • Finding Atmopshere in film
  • Harmonizing string melodies
  • Polyrhythmic accompaniment
  • Homorhythmic accompaniment
  • Working with string orchestra
  • The chase scene
  • Working with drum loops in chase scenes
  • Using the brass section
  • Building tension
  • Writing tension cues
  • Ponticello
  • Tremelo
  • Glissando
  • Writing comedy and animation cues
  • “Mickey Mousing”
  • Getting gigs as a film composer
  • Techniques for building a portfolio
  • Finding film makers
  • Any much, much, more!

And of course, once you sign up for this class, all my other classes are yours at steep discounts! Over half off for all future sections!

You will not have another opportunity to learn Music Composition in a more comprehensive way than this. Start here.

Dr. Jason Allen is an Ableton Certified Trainer, and a PhD in Music Composition and master of Electronic Sounds. His music has been heard internationally in film, radio, video games, and industrial sound, as well as the concert hall and theater. His 2015 album, Aniscorcia, reaching the CMJ Top200 Charts and radio broadcasts nationwide. In 2014 he was named a semi-finalist for the Grammy Music Educator Award.

He currently as an adjunct professor of composition at the University of St. Thomas, and the CEO of Slam Academy in Minneapolis.

Praise for classes by Dr. Jason Allen:

  • “Without a doubt the best explanation and east of use that one can get. It leaves you enough room to go explore. The classes go by quick, so you can be on your way at being proficient. What are you wait for!”
  • “Amazing – Seriously Loved It! I took all his courses and have to say I’m so happy! Learnt loads! Jason is an awesome teacher!”
  • “I have never had any formal training in music at all. Trying to learn all the notes and how everything translated was a serious challenge. After going through this class, Dr. J has totally brought down the barriers. The content was very useful and was easy to grasp for me.”
  • “I like these courses because you can get up and running quickly without having to spend hours of time wading through TMI (too much information!). Jason hits the high points but shows you what you need to know. Thanks!”
  • “I’ve watched many other videos on scales and chords before, however, this one has been the best. I now
    understand minor scales and chords and even how to analyze songs. It really gave me the confidence to start producing music because I feel like I have some structure and guidelines to follow. AWESOME!”
  • “Clear and Informative – Jason has a clear uncluttered style (with the important dashes of humor) of presentation that is focused on the important key aspects of this course. Recommended for those starting out!”
  • “Dr. Allen does it again with his music theory series. This course really opened up everything I learned from the 1st section, and now I understand more about the composition side of things for music. I highly highly recommend this course to anyone!!! Really opened my eyes to many things I wasn’t aware of.”
  • “The Best Teacher Ever, who makes you understand the ins & outs of Music Theory by all means without giving what you don’t want to know.”

 

Who is the target audience?
  • Anyone interested in learning to write music for fun, or as a potential new career
  • Students who have written their own songs or compositions and are looking to explore composition deeper

 

Take this course